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Earl BrownвЂ™s theory, may have been influenced by what was going on between Milch and HBO at the time.) Hearst wins.

So the idea that all the talk of war with Hearst вЂ“ of Hawkeye and Wu raising separate armies, of skirmishes with the Pinkertons вЂ“ amounted to little doesnвЂ™t seem out of keeping with his style, and it ultimately fits with the story of this season. That the first two seasons of вЂњDeadwoodвЂќ ended as well as they did (the second more than the first) is something of an anomaly in his career, and even in this show, where the improvisational nature of the writing meant that some story arcs got interesting conclusions and many others just petered out, as we discussed with the Earp brothers a few weeks back. HeвЂ™s a genius with dialogue, with character, with introductions, but clear, powerful, appropriate resolutions often elude him. Now, endings have not been a strong suit of MilchвЂ™s throughout his career.

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Regardless of what might have come in the mythical fourth season, or in the movies that HBO was never going to have the ability to make (because every actor was released from his or her contract the day the show was canceled, and the odds on getting all of them вЂ“ or even of getting McShane, Olyphant and Molly Parker after the career boost the show gave them вЂ“ was going to be next to impossible), there is a conclusion to the series and its themes, and something of a conclusion to the stories of the third season. It ends before we want it to, before Milch intended to, but it ends. It doesnвЂ™t take us to the rest of the story of Deadwood and George Hearst, doesnвЂ™t get into the role Jack Langrishe would play in the community going forward, doesnвЂ™t get us to the fire that claimed the Gem, Sol StarвЂ™s political career, SethвЂ™s friendship with Teddy Roosevelt or anything else that could have come later. And Al scrubbing JenвЂ™s blood from the floor of his office, lying to Johnny about the manner of her death, does feel like the most appropriate end вЂ“ premature or otherwise вЂ“ вЂњDeadwoodвЂќ could have had: one more lie agreed on, one more piece of violence being wiped away on the path to civilization, one more victory of money and power over decency and fairness.

Of course, in the years since, Milch has told me that he more or less knew the show wouldnвЂ™t be back, and that as a result he wrote this episode вЂ“ and the final scene that provides its title вЂ“ as the closest he could get to a conclusion. I reviewed that episode, like I reviewed most of that final season, on my old blog, and at the time felt frustrated with вЂњTell Him Something PrettyвЂќ as an end to the third season, but surprisingly effective as an abrupt end to the series as a whole. ItвЂ™s nearly seven years to the day that вЂњDeadwoodвЂќ came to an end. вЂњIn the aftermath, play the lie as mine, knowing I speak of you in Heaven.вЂќ -Al Swearengen A review of the series finale, вЂњTell Him Something Pretty,вЂќ coming up just as soon as I ask for unguent by secret thinkingвЂ¦ WeвЂ™ve come to the end of our three summer-long rewatch of David MilchвЂ™s revisionist Western вЂњDeadwood.вЂќ No need for any disclaimers about veterans versus newbies at this point no more episodes after this, folks.

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